Oil painting in the style of Sargy Mann, with simplified and stylized forms, evoking the feeling of bright sunlight and intense heat. The scene depicts four women. One stands with her back to the viewer, another is shown in profile. A third woman is depicted in full height with a gentle turn to the side, and the fourth figure sits gracefully. All movements are elegant, refined, and poetic, contributing to a serene and harmonious atmosphere. The figures are abstracted and simplified in the distinctive style of Sargy Mann, emphasizing shapes, gestures, and movement over detail or realism. Their faces are intentionally undefined, focusing on the essence of form rather than specific features. The composition places the figures on different levels: two in the upper part of the frame and two in the lower part, creating a dynamic and balanced visual arrangement. The characters' sun-kissed skin radiates deep tan tones with pink highlights and rosy cheeks. Their hair is bleached light by the sun. The composition is bold and filled with large, flat planes of color: blue sky, turquoise sea, and white sand. A sunshade above and a wall to the side add simple geometric shapes and contrasts. The palette features cognac, blue, turquoise, yellow, pale beige, ochre, soft pink, terracotta, cinnamon, and white. The painting is richly textured with thick, impasto brushstrokes, capturing the essence of a bright, sunny day, with non-realistic and stylized figures. Reference: 1.

萨吉·曼风格的油画，以简化和程式化的形式，唤起明亮的阳光和强烈的热量的感觉。这个场景描绘了四个女人。一个背对着观众站着，另一个在侧面。第三个女人被描绘成全高，轻轻转向侧面，第四个女人优雅地坐着。所有动作都优雅、精致、富有诗意，营造出宁静和谐的氛围。这些人物以萨吉·曼的独特风格抽象和简化，强调形状、手势和动作，而不是细节或现实主义。他们的脸故意没有定义，专注于形式的本质，而不是特定的特征。构图将人物放在不同的层次上：两个在框架的上部，两个在下部，创造了一种动态平衡的视觉布局。这些角色被阳光亲吻的皮肤散发出深褐色的色调，带有粉红色的亮点和玫瑰色的脸颊。他们的头发被太阳晒得发白。构图大胆，充满了巨大而平坦的色彩：蓝天、绿松石色的大海和白沙。上方的遮阳板和侧面的墙壁增加了简单的几何形状和对比度。调色板以干邑、蓝色、绿松石色、黄色、淡米色、赭色、软粉色、赤土色、肉桂色和白色为特色。这幅画纹理丰富，笔触厚重，捕捉到了阳光明媚的一天的精髓，人物不现实，风格化。参考文献：1。